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Thursday 6 November 2014

Reading about kowhaiwhai

What is Kowhaiwhai?

Kowhaiwhai are beautiful painted design patterns. At first, kowhaiwhai patterns can be viewed as decoration only, but closer examination shows that they involve sophisticated mathematical precision.  These patterns include symmetry, rotation, reflection and translation.


The koru or pitau is the most basic design element of kowhaiwhai. These are curving stalks with bulbs at one end. They bear a striking resemblance to the young shoot of a native fern.

After the koru or pitau, the next main motif or pattern of kowhaiwhai is the crescent or kape. This  is characterised by a line of evenly placed white circles on the outer edge of the crescent.

The koru or pitau and the kape, are all that make up the list of basic kowhaiwhai motifs. However when used in various combinations these two patterns can create many varying designs of incredible depth.


1. Why does it say that kowhaiwhai are more than just decoration?
Because each pattern has a meaning and its not just simple they have
beautiful painted designs that are used to make kowhaiwhai.

2. Describe the two main patterns of kowhaiwhai?
A koru is a spiral shape that is used in kowhaiwhai and koru
can be used over and over on each kowhaiwhai.



An Artform

Stories that explain the origin of kowhaiwhai all say that it is an art form secondary in importance to  woodcarving (whakairo) and tattooing (ta moko). When kowhaiwhai is compared to wood-carving and tattooing, there are several contrasts.  Apart from the obvious differences of how they are created, kowhaiwhai is seen as something more temporary. It is not seen as having  lasting value, so requires no special ritual and no formal training. It is considered to be a common (noa) activity and so therefore, can be carried out by anyone.


The colours red, black and white are often the only colours that appear in kowhaiwhai patterns. Red was obtained by mixing red ochre with shark-liver oil.  Black paint was made by mixing shark oil with powdered charcoal. For white paint, taioma or pipeclay was burned then pulverised and mixed with oil.


3. Why is kowhaiwhai seen as less important than whakairo and ta moko?
Because its compared to tattooing and wood carving so they are
technically compared as a whakairo and moko as more important.


4. Do you think whakairo and ta moko was carried out by anyone?
Yes because there are also other people that also do kowhaiwhai
for their own places in New zealand.


Origins

One oral account from Ngati Kahungunu, traces the origin of both wood-carving and kowhaiwhai. It tells us that:

When Whiro, Haepuru and Haematua climbed up to the second heaven to obtain carvings for their house, they were told by one of the gods that the art of decorating houses with wood carvings had already been taken away by their younger brothers. Whiro and his two friends complained to the god that they could not go begging to their younger brothers for the art, so the god showed them how to embellish a house with painted designs.
Whiro and the others then descended and adorned their own house with painted designs.( Best (1982:287-8…)

5. Why couldn't Whiro, Haepuru and Haemata get carvings for their house?

6a. sophisticated

Look at these words in the article and see if you can work out their meaning from the context. Then look up and write down the definition from the dictionary

Precision:          Being exactly the same and a curate
Resemblance    A state of resemblance of being alike
Motif                  A decoration or pattern                
Secondary        Means that you are less important than.
Temporary        lasting for a long period of time
Pulverised         reduced to fine particles
Obtained           something         
Embellished       make something or make it attractive
Adorn                 make something more beautiful or attractive

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